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Sunday Inquirer Magazine
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Pure Genius
by Margaux Salcedo

IT WAS a room full of bespectacled gentlemen and two women in white coats. They hovered over a large rectangular table that had scattered on it various herbs, animal parts, all the salts in the world, and loads of tools: droppers, blenders, knives, pans, pens. It almost looked like a NASA laboratory.

FULL STORY

My Favorite Action Hero
by Gerry Plaza

WHO does it for you? Keeps you at the edge of your seat, jaws dropping, pulses racing and blood rushing to the head that is.

FULL STORY

Pinoy Cult Films: The Cinema that Won’t Die
by Eric S. Caruncho

GRITTY social realist urban dramas may get the respect and the awards at international film festivals.

FULL STORY

Hearsay & Heroics
by Monette Quiogue

YES, Pinoys definitely love their action flicks. Some see them as momentary escape from their dreary life, while others imagine themselves as the invincible action hero who swoops down to conquer and save an entire barrio from the usual suspects. Or maybe they just want to get the girl.

FULL STORY

Hope, sweat and a healthy cervix
by Leica Carpo

FIVE days on a bike, covering the 500-kilometer stretch from Muntinlupa to Camarines Sur, was not something I wanted to do for the love of the ride.

FULL STORY

‘Lights, Camera, AKSYON!’
by Wilson Fang

IF, as the rather hackneyed expression asserts, life imitates art, then arguably Philippine Cinema provides ample fodder for those attempting to explain the often-frenzied nature of Filipino society.

FULL STORY

No One Can Cook Like Nana Meng
by Margaux Salcedo

IN 2003, my world crashed. The career path that I was aiming for came to a dead end and I was at a total loss as to what to do.

FULL STORY

Numbers

2: Number of types of action films: true-to-life and fictional.

FULL STORY
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 Poetry
Kundi Yaong Naglalaho by Mikael de Lara Co
Ngunit walang nasalang ang kanyang mga daliring
pilit lumalamukot sa dilim. Muli,

magsisimula siya sa dulo, magmumuni
kung paanong ang lahat ng awit ay umuusbong

mula sa pangangatal ng katahimikan.
Paanong tatanganan ang haraya?

Paanong pawawalan? At paanong titipuning muli,
matapos ang dagliang pagsasatubig? Titindig siya,

lalapit sa bintana. Sa labas, umuuwi
sa lupang tayantang ang marurupok na dahon.

At ang lupa, saan naman mananahan?
Isasara niya ang bintana. Ititikom

ang mga labi, pipikit. Ano nga ba ang talukap
kundi yaong naglalaho sa iglap ng pagdilat?

Tatangkain niyang tuklapin ang mga langib
mula sa sugatan niyang pananalig.

May nagkukubling liwanag. May kumakawalang tinig.
May iba pa bang anyo ang pananalangin? Ngunit

walang nasalang ang kanyang mga daliri. Tahimik
na nagpipinid ng malasakit ang bintana: sa labas,

hinahalukipkip ng hangin ang nahubdang mga sanga,
hinihilom ang mga puwang sa alangaang,

payapang pinupunan ang bawat paglalaho.


   


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