MANILA, Philippines—Ariel Lozada, fashion show and events director, NotEnoughCircuses
The most memorable soundtrack I’ve produced for a show was for Ivarluski Aseron’s “Fashion Declaration” [in 2005]. I designed the mix with some raw sounds from East London, layered with Antony and the Johnsons, and “Fur Elise” by Ludwig Van Beethoven. It was great because the soundtrack managed to serve as a backdrop for Ivar’s collection and, at the same time, the feel of the collection absorbed the experimental mood of the music.
Jackie Aquino, veteran fashion producer and director
From the ’80s, “Djobi, Djoba” by Gypsy Kings, as it defined a generation, and I’m proud to say people first heard that song here in Manila in one of the fashion shows I directed. The music even rocked the ’90s. Then, there was also “Lambada”—how I remember that, as it became such a huge hit. There was also “Rico Mambo,” which defined the mid-’80s. The music of Gilbert Montagne, like “Liberte,” also defined the late ’80s. Recently, there’s also Bonnie Bailey’s “Ever After.”
Robbie Carmona, fashion director, SAGA Events
Some of my favorite tracks used in recent shows are the following: “No Ordinary Mornings,” a classic track by Chicane—truly, one of my all-time favorites. I listen to it during travels and even during cardio time. “Overpowered” by Roisin Murphy is a track that’s being used by designers globally. In fact, it was performed live in the recently concluded Fashion Rocks. This track opened the Natori Gala, which perfectly set the mood for the entire show. “Let’s Get Physical” was originally sung by Olivia Newton John and electronically reformed by Queen of Japan. It is a perfect example of how a classic can become modern and up-to-date. “4 minutes to save the world” by Madonna and Justine Timberlake is the hottest track to date. And “Glamour Girl” by Louie Austen makes the models feel so glamorous on the runway.
